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In his new collection of poetry, Roger Sedarat strikes the perfect balance between Eastern and Western expression, between the modern and the medieval, and between the sacred and the profane. A delight on every page, one can’t help but imagine that if Hafez, Rumi, and other Sufi mystic poets — even Goethe — were transported to the twenty–first century, their tweets might read something like this.
–Hooman Majd — author of The Ayatollahs’ Democracy: An Iranian Challenge
These poems are to be savored in their audacity — in turn witty, erotic, ludic, learned, engaged. Roger Sedarat’s ghazals bridge the form’s (and the poet’s) Persian sources to American demotic language, and open couplet windows on transnational reality.
–Marilyn Hacker — winner of the National Book Award and author of Names: Poems
Ghazal Games overflows with intelligent charm: its well-formed couplets, fueled by iconoclasm, are blessed with clarity, goodheartedness, pizzazz, and prankishness. Let’s crown Roger Sedarat the king of Carnival; long may he reign.
–Wayne Koestenbaum — author of Best–Selling Jewish Porn Films